Thursday, October 23, 2008

So long, summer

Well, the days are growing shorter and for those of us in Buffalo, Tuesday marked our first official snow sighting. Which can only mean one thing for me ... Project Waz will return.

Yes, after a lengthy hiatus, this blog will be coming back in full force. Summer flew by all too quickly. Along the way, some very exciting things happened! I now find myself residing in Lockport, and working at The Journal-Register in Medina as the new city editor. Things are going well and my job is keeping me EXTREMELY busy, so perhaps this blog will not be updated with such gusto as the original postings.

Along with the new job, comes the relocating, which means a whole new social calendar of activities. It's nice returning to the Buffalo area after a year in the Southern Tier. My new location puts me much closer to not only my family, but many friends from high school and college who are still in the area. As if all that weren't great enough, I'm also no longer the poorest person alive — something which I am quite pleased about.

Stay tuned, and in a few short weeks Waz will be rolling once more. In the meantime, if you want to check out some of my random chatter on everyday life, visit my Journal-Register blog — Wonderful World of Waz

Thursday, June 19, 2008

Sweet Summertime, Once Again!

Now that summer has arrived, the idea of spending vast amounts of time watching movies no longer appeals to me. I don't doubt I will be catching a few movies this summer, The Dark Knight for sure being one of them, but I'm not sure whether I'll be blogging about them or not. In short, I'm halting my project - but just for now! Never fear! When the sun is shining, it is far more appealing to take a bike ride, go camping (my new favorite hobby) or just get caught up with some summer reading. That being said, I'll be back ..... later.

Wednesday, May 28, 2008

Indiana Jones and the Kingdom of the Crystal Skull (2008)

You want to be a good archaeologist, you've got to get out of the library. Indiana Jones

For all its hype and promise, in the end I simply wasn't all that impressed with the fourth installment of the Indiana Jones series. Harrison Ford would have been wise to keep his fedora hanging in the closet where it belonged.

What I liked about this movie: the beginning. When the film first started, we find out we're in Nevada in 1957, during the hype of the Cold War. The enemies are no longer Nazi's, but Communists. Already it seems Indy is back to his old tricks getting into trouble.

However, after an initial showdown in a warehouse, the movie takes a turn for the slow. There isn't too much that can be said without giving away key plot points. In my opinion, way too much of Mutt Williams, Shia LaBeouf, and not enough Indy. At one point there was a car chase that seemed to drag on forever - that could have easily been cut down nicely.

All in all, not an awful movie, but not what I would expect. Furthermore, a few of the sets seemed to be recycled from some of George Lucas' and Stephen Speilberg's more, ahem, well known films.

2.5 stars out of 5


Monday, May 26, 2008

Iron Man (2008)

Let's face it, this is not the worst thing you've caught me doing. Tony Stark

A movie full of missiles, explosions, guns, terrorists and tons of electric guitar music is a far cry from the black and white movies I've been seeing in bulk lately. 

Considering I am not a huge fan of Robert Downey, Jr., I did not have very high expectations for this movie, but was pleasantly surprised. Always a fan of the superhero flicks, Iron Man did not disappoint in the action department. Having no prior knowledge of the comic book, I also found the story line entertaining. One thing I really like was the modernization of the story. In the comic, Iron Man takes place during the Vietnam War and he has a butler named Jarvis. For the movie, the story takes place today, during the Iraq War, and his home is equipped with an A.I. butler named Jarvis.

Overall, an enjoyable movie with decent performances by everyone. Not one of my favorites, but far superior than what I anticipated. Anyone interested in a visually-stimulating movie with very patriotic undertones should take in a viewing.

3.5 stars out of 5


Thursday, May 22, 2008

And Now It's Time For Something Completely Different

A little note to my avid readers....

I'm taking a very small break from my project to pursue some other means of entertainment. With the fast approach of the Sex and the City movie - out in theaters next Friday - I will spend the next week watching episodes from seasons one through six of the series in preparation for the big screen release of the ultimate chick flick.

That being said.... this break is much needed. Although the older movies are enjoyable, quite frankly I need something a little more contemporary to break in. I'm thinking perhaps after this I'll switch back my Oscar list for awhile. Any more black and white films and I may go crazy. 

See you again in a few weeks!

Friday, May 16, 2008

Some Like It Hot (1959)

American Film Institute's Top 100 Films, No. 25

I don't care how rich he is, as long as he has a yacht, his own private railroad car and his own toothpaste.  Sugar Kane Kowalczyk

Just one word: wow!! What a FANTASTIC movie! It was good to have another comedy tossed in with the number of dramas.

Having never seen Marylin Monroe act, I was surprisingly impressed. While her character didn't seem to require many challenges, she was never the less obviously perfect for the role. I found it entertaining to read that some scenes took her 59 takes to get one simple line correct... so apparently it wasn't much of a stretch.

Tony Curtis and Jack Lemmon, the latter specifically, were wildly entertaining as women. Josephine and Daphne were a goofy pair, especially with all the flirting coming from other men. Men in drag is always an entertaining concept, perfect example Mrs. Doubtfire, however this film had a lot more class than more recent stories, say Hot Chicks or The Birdcage.
 

Not much else can be said without giving away the plot, but a highly recommended movie for anyone.

4.5 stars out of 5

Sunday, May 11, 2008

To Kill A Mockingbird (1962)

American Film Institute's Top 100 Films, No. 25

Don't say "hey" to me you ugly girl! Mrs. Dubose

To this day, Harper Lee's novel remains one of my most favorite books. Likewise, this version of the story is the best I have ever seen - regardless of how many theatre renditions of the story I will see, nothing will ever top this movie.

Gregory Peck's performance as Atticus Finch is without a doubt one of my favorite of all time. He portrayed the character with such grace and perfection, it has been said Harper Lee cried on the set of the movie watching Peck act because he was so dead-on in his take of the character. Over time, the movie has become somewhat dated, but not so much that is no longer enjoyable. 

Children actors tend to be hit or miss with movies, but the younger Finch's and neighbor Dill are an entertaining bunch. I would highly recommend a viewing of the movie to anyone who has ever read the books - and if you haven't read the book, shame on you!

4.5 stars out of 5

The Grapes of Wrath (1940)

American Film Institute's Top 100 Films: No. 23

Seems like the government's got more interest in a dead man than a live one. Tom Joad

It never ceases to amaze me how much more entertaining some movies can be when you're not required to watch them for class. John Steinbeck's classic novel of the Oakies and the Dustbowl was a required read in school, and once we finished reading the book we were "treated" with a viewing of the movie. 

Going back now to watch the movie for fun, I found a much higher entrainment value. I feel certain some of that is due to the fact I'm not half asleep in a desk chair. 

Since the movie is a little older, it is naturally a little hokey in some parts. Some of the dialogue doesn't translate as well to the screen from the page - at time it seems stiff and staged. However, most of that is due simply to the period of time the movie was filmed. Overall, very VERY long, somewhat tedious at times, but an otherwise good rendition of the book. Not a favorite movie but not a bad one, either.

3.5 stars out of 5

It's A Wonderful Life (1946)

American Film Institute's Top 100 Films: No. 20

Get me - I'm givin' out wings! Nick

Regardless of how "cute" this movie is, in my opinion it should be known as Frank CRAPA's It's A Wonderful Life. I've seen this film far too many times, and each year when Mom drags out the VHS it pains me more and more.

All and all, it's a good film. It's a nice plot, and the idea behind it really is a good, solid one. Great family film. The biggest problem I have with this movie, is Jimmy Stewart. The whole two people reading this are probably in shock, but in reality I can't stand his acting in this movie. George Bailey as a character makes me sick. I'm not the slightest bit impressed with his overly sweet nature. His voice itself drives me to near insanity.

All in all, I would probably enjoy this movie if I took about ten years off from watching it, but as it stands, it's too long and too cutesy. 

2 stars out of 5

Tuesday, April 29, 2008

On The Waterfront (1954)

American Film Institute's Top 100 Films, No. 19

Academy Award for Best Picture, 1955

Hey, you wanna hear my philosophy on life? Do it to him before he does it to you. - Terry Malloy

Another of the classic black and white films I found to be quite entertaining. However, unlike many of the others, the dialogue seemed to me to be slightly outdated and the story moved slowly. However, the story line of the dock workers fighting for equality is a classic in itself, and this movie was very well-done.

The idea for the story, according to imdb.com, first came from an expose series written for The New York Sun by reporter Malcolm Johnson. Johnson's 24 articles eventually won him a Pulitzer Prize, and were reinforced by the 1948 murder of a New York dock hiring boss, which solidified the story to the American public. Budd Schulberg, the movie's writer, became obsessed with the subject, and spent years of his life learning everything he could of the killings and extortion going on in docks across the country. He spent a great deal of time in West Side Manhattan and Long Island bars interviewing longshore-union leaders and learning more of the priests from Hell's Kitchen.

Easily one of Marlon Brando's greatest performances, and it's little surprise he took home an Oscar for his work.

3.5 stars out of 5


Sunday, April 27, 2008

Sunset Blvd. (1950)

American Film Institute's Top 100 Films: No. 16

I am big! It's the pictures that got small. Norma Desmond

For all the cheesiness I expected from this film, I was pleasantly surprised by the time it was over. I had never known much of the story line other than an affair between the young writer and older, faded star. However, everything from the beginning and end scenes with Joe Gillis' body in the pool to the eccentric acting by Gloria Swanson was enjoyable.

In my opinion, I think it was an original story line that was destroyed when Andrew Lloyd Webber tried to turn it into a musical. Although I will never say I'm not a fan of musical theatre, this was just pushing the envelop. I for one liked it as is. Again, with so many of the films I've seen so far, with the exception of some dated dialogue this is not a movie a viewer could initially tell was an older film. Interesting plot, would for sure see again.

3.5 stars out of 5

Wednesday, April 23, 2008

The Graduate (1967)

American Film Institute's Top 1oo Films: No. 17

Are you here for an affair, sir? Hotel Clerk

This movie was not at all what I anticipated, but in the end I still ended up enjoying the film. Although I had the general gist of what was going on, I thought Benjamin (Dustin Hoffman, who was perfect in the role) was already dating Elaine (Katharine Ross) when the affair with Mrs. Robinson (Anne Bancroft began). However, the movie was quite the opposite, so to start out in the beginning with the affair was different from what I was expecting, but still enjoyable.

One thing I noticed while watching were the constant subtle references to women and sex, something imdb.com called "womb imagery." Benjamin constantly wants to stay in his parents swimming pool, there are close up shots of women's hips and the most obvious returning to the womb of the older Mrs. Robinson.

Another aspect of the film I enjoyed was the soundtrack, done completely by Simon & Garfunkle. I have known of the more or less title track, Mrs. Robinson, for many years, but again didn't realize the duo completed the entire soundtrack for the movie. I found that most enjoyable, and thought the light, easy songs of the 60s help set the atmosphere for Ben's post-graduate struggle into adulthood.

4 stars out of 5

Monday, April 21, 2008

2001: A Space Odyssey (1968)

American Film Institute's Top 100 Films: No. 15

Just what do you think you're doing, Dave? HAL

In all honesty, the only think I liked about this movie was the soundtrack. Although the spots of the ship flying through space were intriguing considering when they were made, overall by far not a favorite movie.

The very beginning with the "Dawn of Man" did nothing but irritate me. As far as I'm concerned, any movie where people dress up as apes is bound to lose favor with me quickly. Even when it finally switched over to the space scenes, and there was real dialogue, little could be done to earn my interest in this movie.

I found the story line confusing, HAL the computer creepy and Frank and Dave bland. Furthermore, the heavy breathing in the spacesuits drove me to near insanity, and the long periods of time without music made me restless.

Although not a huge science fiction fan, I do enjoy the occasional science fiction movie. This certainly was not one of them. Why this movie is so highly regarded is beyond my reasoning.

1 star out of 5

Friday, April 18, 2008

Psycho (1960)

American Film Institute's Top 100 Films: No. 14

Uh-oh, Mother, what is the phrase? She isn't quite herself today. Norman Bates

By far my favorite Alfred Hitchcock film, I personally believe it's a better movie than Vertigo. I've seen it a couple times years ago, but watching it again I really took in quite a bit more this time around. 

One thing I really picked up on was just how much of an adult film this movie was. The fact that many of the scenes depict Janet Leigh in her underwear, or less, Marion Crane was having an affair and Norman Bate's odd sexual tension were all mature concepts. While Vertigo did have some adult themes, this movie seems to have many more. 

Once again, Hitchcock's superb story-telling skills were evident in this particular film. He opted to shoot the entire movie in black and white despite the fact other big budget films of the time were being produced in color. As a director, he was meticulous - for the three weeks Leigh was on the set, one entire week was devoted to the 45-second shower sequence. Additionally, after the film was released Hitchcock received several letters from ophthalmologists saying Leigh's eyes were contracted during the extreme closeups after her character's death, while in real life a corpse's eyes are dilated. To remedy this problem for all of his remaining movies, he began using belladonna drops. Highly recommended, eerily creepy, and a bone-chilling score by Bernard Hermann to match.

5 stars out of 5

Wednesday, April 16, 2008

The Searchers (1956)

American Film Institute's Top 100 Films: No. 12

That'll be the day. - Ethan Edwards

This is the first time I've seen an older, more traditional Western, and all in all I was pleasantly surprised. There was much more story line and in depth character development than I ever anticipated, making it a highly enjoyable film.

John Wayne truly is the cowboy he's made out to be, but after watching the movie he also, in my opinion, really proved himself as an actor. He's quoted as saying this role as Ethan Edwards was a personal favorite, so much so he named his son Ethan, and I can see why. Even for being made in the 1950s, the script is not hokey or unbelievable in any way - quite the opposite, it deals with a number of deeper concepts.

One thing in particular I got from watching the movie was the unusual relationship between Ethan and Martha, his brother's wife. From the very beginning I was confused over the open affection between the two, and in 1974 Wayne said in an interview director John Ford hinted throughout the film of an affair between the two, even going as far as to say Ethan might be the father of Lucy and Debbie, owing to his obsessive quest to reclaim the girls. Furthermore, his desire for vengeance was not over his slain brother, but after the woman he loved. Apparently these hints were so subtle they passed over the head of many viewers at the time.

Overall, I really enjoyed it. I thought not only Wayne but the entire cast was superb in their roles. It was a shame to discover Jeffery Martin, who played Martin Pawley, died so young (43). The movie moves quickly, has a great plot, and even some more comedic moments, such as when Martin accidentally buys a Native American wife, thinking he is getting a blanket. Anyone interested in seeing their first Western, this would be a good choice.

4 stars out of 5

Saturday, April 12, 2008

Gladiator (2000)

Academy Award for Best Picture, 2001

The beating heart of Rome is not the marble of the Senate, it's the sand of the Colosseum. He'll bring them death, and they will love him for it. - Gracchus

Mrs. Curran would be proud... after years of taking Latin in Orchard Park, I have come to have a profound interest in ancient Roman history, so naturally this movie was right up my alley. Although the story line itself is mostly fictitious, much of the historical concepts are accurate.

In real life, Joaquin Phoenix's creepy Emperor Commodus was not the evil incarnation portrayed in the film, but rather was appointed by his father as the youngest counsel member of the Roman Senate ever up until that date at age 15, and upon Marcus Aurelius' death Commodus became sole Emperor, uncontested. Although it is true he was unpopular with the senate but favored by the public for his gladiatorial combats, he was historically documented as being a "simple, peaceful" man. His region was historically a peaceful one, although he was eventually assassinated in his room by an athlete named Narcissus - the original name considered for Maximus in the film.

Although extremely bloody, the movie itself is highly accurate in its depiction of Gladiators. The Colosseum itself is undoubtedly one of the most amazing structures ever made. Many times there would be dozens of gladiator battles going on and once, and it was even constructed to be flooded to create a pool for the retelling of Roman sea-faring battles. The costumes were outstanding and every lead character was outstanding in their role. Russell Crowe's Maximus is one of the most noted film heros today, and Crowe himself has said he has been his favorite character to portray to date. For those not afraid of blood, I would recommend it.

5 stars out of 5

Friday, April 11, 2008

Vacation Sensation

Well, April 11 has finally arrive, which for me means only one thing: I'm going to Disney World!

Yes, for all you blog readers, I will be flying south (luckily not via American Airlines) for the next five days to take part in some Florida sun and see my idol, Mickey Mouse. The reason for the trip is my sister's marching band QMB, the reigning New York State Field Band Conference National Champions, is participating in a workshop at the theme park, so Mom, Dad and I are going down to watch her march in the parade, then staying an extra few days to bask in the glory that is Disney.

But never fear faithful readers! Thanks to a condo adorned with wireless Internet, postings should continue assuming I'm not too exhausted from all the fun I'll be having ;) Courtesy of a Mr. Dennis Phillips, county reporter extraordinaire from The Post-Journal, my in-flight movie from Boston to Orlando will be The Searchers, and to accompany me on the trip we also have Gladiator. Enjoy your weekend everyone, as I will surely be enjoying mine, seeing as how above all else, I will be turning 24 years old Tuesday, at the Happiest Place on Earth.

Wednesday, April 9, 2008

A Beautiful Mind (2001)

Academy Award for Best Picture, 2001

You are the reason I am... you are all my reasons. - John Nash

Regardless of how many times I watch this movie, it never gets old. The outstanding story line focuses not only on the trials Nash faces as his disorder progresses, but the intimate love story of support between him and his wife Alicia. As much as I enjoy Russell Crowe, Jennifer Connelly's portrayal of Alicia in my eyes steals the movie. Her interactions with Crowe make the pair a perfect onscreen couple, and her powerful performance of a woman dealing with her husband's fall from grace is simply outstanding. Her Oscar for the Best Supporting Actress was very much so deserved.

Again, the soundtrack to this movie is another of my personal favorites. Although James Horner might be most well-known for providing the backdrop for the on-screen sinking of Titanic, in my opinion A Beautiful Mind's score is a by far more moving work.

After doing a little Wikipedia searching, I found out a couple of interesting facts about the real John Nash that were purposefully left out of the movie. The first being he was married several times, and the second he was known for having several hetero- and homosexual affairs. These facts were left out to not only make the relationship between John and Alicia seem stronger but because director Ron Howard did not wish to associate homosexuality with mental disorder. The last thing they left out was Nash's real out-of-wedlock child, who was born when John was in his 20s. The movie version of the mathematician is a much more pure man by nature. Regardless of these changes, it is still a wonderful, wonderful highly recommended movie.

5 stars out of 5

Tuesday, April 8, 2008

The Lord Of The Rings: Return Of The King (2003)

Academy Award for Best Picture, 2004

My friends, you bow to no one. - Aragorn

Ok, I'll admit it.... I've never read the book. Not just the last book, but any of them. I made it half way through The Fellowship of The Ring, but was more than confused as to what was going on. Needless to say, I am a HUGE fan of the movie franchise and own all three.

Naturally, as the last in a series of three movies, this is by far the most climactic. I could easily go on for hours about how much I enjoyed it, the story line, the acting, the 1,400 plus special effects. Instead, I'll talk a little bit about what I enjoyed most: the soundtrack.

Howard Shore composed the tracks to all three movies, and makes every last aspect seem that much more real and exciting. Born in Toronto, Shore studied music at Berklee College of Music in Boston, moving on to spend five years as musical director for Saturday Night Live. In addition to the Lord of the Rings trilogy, Shore has also composed music for The Silence of the Lambs, Se7en, Panic Room, Crash, The Departed and The Aviator. He is without a doubt one of my most favored contemporary composers. In 2004, he combined the themes to all three movies and performed them at different venues across the country.

Fantastic movie, even better soundtrack.

5 stars out of 5

Monday, April 7, 2008

The Kite Runner (2007)

Academy Award Winner for Best Original Score: 2008

For you, a thousand times over! - Amir

Like many book to movie translations, the story line was much more indepth in the novel form. However, a pretty fair retelling of the story in my opinion. Here were a couple things I didn't like...

First of all, too much was cut out of the beginning of the movie. A significant portion of the novel is dedicated to exploring the relationship between Amir and Hassan. The fact that Hassan is his servant comes into play much more in the written word as the caste system is more established. Additionally, we see more into their personalities: Amir is more a meek child and Hassan is a bigger, stronger boy who stands up for him, a trait that did not carry over into the casting for the roles.

Secondly, the lack of information about the kite flying and traditions. This is something that simply could not be included, understandably, for time constraints. However, in the book the reader gets to learn quite a bit about the tradition, how it got started and how important it is to the people. 

Lastly, in the novel Assef is in fact Caucasian. He has blond hair, and if I remember correctly, fair eyes. The way author Khaled Hosseini describes the character in the book it brings to mind almost a Nazi, making him seem even more evil than he is. I thought that played an important part in the book and was upset to see the film makers chose to do away with that aspect. Overall, remains one of my favorite books, and the movie was sufficiently entertaining.

3.5 stars out of 5

Thursday, April 3, 2008

Chicago (2002)

Academy Award for Best Picture, 2003

First she steals my publicity, then she steals my lawyer, my trail date. And now she steals my goddamn garter! - Velma Kelly

As a sucker for musicals, this is naturally one of my favorite movies. I saw the show on stage about a year or so after the film version came out, and only then did I realize how different a concept the movie took on.

The musical itself is far more of a Fosse show, with sexually-driven outstanding choreography. The movie, however, includes the Fosse-inspired dance numbers, as shown through the eyes of Renee Zellweger's Roxie Hart. The rest of the movie is "set" in the 1920s Chicago, complete with the character's costumes, etc. This is very different from the production I saw at Shea's in Buffalo, where the cast kept on the "sexy" outfits for the entirety of the show.

What I find most interesting about the story itself is that the musical, originally a play released in the late 20s, was written by a reporter who put herself into the story through the character Mary Sunshine. Maurine Dallas Watkins penned the original story line. As a reporter for the Chicago Tribune, in 1924 she covered the sensational trials of Belva Gaertner and Beulah Sheriff Annan, who would go on to become the characters Velma Kelly and Roxie Hart. Watkins herself soon left the journalism to write plays full time although Chicago remained her most notable, running for 172 performances on Broadway before touring two years with a then-unknown Clark Gable acting in the role of Amos Hart.

Great movie, lots of fun. Definitely a good take on the story itself and solid performances by the two main women.

4.5 stars out of 5

Sunday, March 30, 2008

No Country For Old Men (2007)

Academy Award for Best Picture, 2008

You know what the date is on this coin? 1958. It's been traveling 22 years to get here, and now it's here. And it's either heads or tails, and you have to say. Call it. - Anton Chigurh

Easily one of the best movies I've seen this year, it's only fitting it took home the Oscar for best picture. More importantly, Javier Bardem's character, Anton Chigurh, is one of the scariest movie villains I have seen in a long time.

The movie is set in Texas, and despite it's somewhat slow-moving style, the film itself is anything but slow. The action keeps coming at a quick and efficient pace and even just watching the movie you feel as though Bardem is just behind you. Even more creepy is the lack of musical scoring to the film. Without any kind of background music, simply sound effects, it almost makes the movie seem more realistic.

Although I have not read the book from which the film was based, reviews say it very accurately depicted from the movie, and the finial speech given by Tommy Lee Jones is lifted directly from the novel. While I thought the ending was abrupt, it was nonetheless an outstanding creepy movie. Next time I see an air tank I'll get a shiver.

Lara Says: Good movie... very nerve racking and kept me on the edge of my seat. What a freak show (Bardem) was.

4.5 stars out of 5


Wednesday, March 26, 2008

Star Wars (1977)

American Film Institute's Top 100 Films: No. 13

I don't know who you are or where you've come from, but from now on you'll do as I say, okay? - Princess Leia

No matter how many times I hear James Earl Jones voice emerging from Darth Vader, it never does get old. Even though the movie is seemingly simple in terms of plots, it takes a couple times of viewing to figure out who is who, what exactly is a Wookie and how a light saber operates.

Even now, more than 30 years after its original release, the effects are still entertaining to say the least. Perhaps not the most believable, but the shot of the Death Star exploding is still a fun thing to watch.

Regardless of how entertaining I found the Star Wars movies, in the grand scheme of thing sci-fi movies simply do not sit well with me. While many films are unrealistic in so many ways, science fiction just seems to go above and beyond anything else. The same thing applies to the book genre; how can anybody possibly speculate what will happen years in the future - or for that matter long ago in a galaxy far, far away. While many other movies are fictitious in nature, there is still the possibility they could happen. With space films, there isn't that shred of reality. At least not in the current time frame.

Otherwise, the only issue with watching just the fourth episode of the series is I know what happens next and keep expecting it to show up. Then all of a sudden, the movie's over. Still a good one to take in every so often.

3 stars out of 5


Million Dollar Baby (2004)

Academy Award for Best Picture, 2005

Anybody can lose one fight, anybody can lose once - you'll come back from this and you'll be champion of the world. - Eddie Scrap-Iron Dupris

Moving from one boxing film to the next, I found this movie to be much more enjoyable than Raging Bull. Although it may not be one of my most favorite films, it was one I enjoyed.

Compared to DeNiro's boxing champion, Hilary Swank's Maggie Fitzgerald is a much for sympathetic character. Even though both characters take joy in beating someone else to a pulp (not something I can necessary disagree with them on) she seems to do so with much more grace. It was also refreshing to see a film about women's boxing, a sport not traditionally geared toward the females. 

All in all, not a bad film. Considering Swank gained 20 pounds of muscle training for the movie, it might be something worth looking into.

3 stars out of 5

Raging Bull (1980)

American Film Institute's Top 100 Films: No. 4

He ain't pretty no more! - Tommy Como

Regardless of the fact this movie was rated so highly by the American Film Institute and earned Robert DeNiro a Best Actor award, this is by far the least favorite of the films I've watched so far.

Maybe I'm missing something, but in the long run I had very little respect for this film. Above all, the story line seemed to be minimal, at best. A selfish man gets to fame through the help of his brother, only to hurt everyone close to him in the end and finish with nothing.

Not to mention by the end of the movie, the main character resembled a small blimp.

This basic plot outline has been used time and time again, especially in movies revolving around athletes. DeNiro's character seemed to me to be not a Raging Bull but a bit of a baby, making everyone else do his grunt work.

With the exception of the graphic boxing scenes and watching Joe Pesci with hair, the movie did very little to hold my interest. Not something to be recommended.

1 star out of 5

Tuesday, March 25, 2008

Horton Hears A Who! (2008)


Seriously, who is this? Is this Burt from accounting? - Mayor of Who-Ville

To be honest, the only reason I saw this one is because I met the people from the studio that produced the movie. Not being the biggest Jim Carrey fan ever, and knowing his previous track record with Dr. Seuss movies, I was slightly worried but overall pleasantly surprised.

The most difficult aspect when working off children's books is translating a 20-minute story into a 90-minute screen version. However, I think in this instance it was pulled off nicely. The star power backing the character voices helped a lot, and Steve Carell also did a great job as the mayor. The animation was beautiful and very brightly colored, and the jokes geared toward the younger audience were cute enough to get a chuckle from the adults as well. I was also a big fan of the purple Carol Brunette kangaroo, who bore a striking resemblance to the Aussie Shampoo Products. Not one one rush out to see, but definitely one to invest the time in. Not my favorite animated movie, but a cute one nonetheless.

2.5 stars out of 5

Monday, March 24, 2008

Enchanted (2007)

Don't sing. It's OK, you know. Let's just walk - can we walk? Robert Philip

I decided to take a little break from the action and go outside the realm of Oscar winners, although Enchanted was nominated for three (best song) and Amy Adams was nominated for a Best Actress Golden Globe. Either way, I decided it was time for something a bit lighter in nature.

Overall, cute movie! Yes, it was cheesy, and yes, it was a musical with singing and dancing. But regardless of that, it was still fun to watch. Amy Adams made a great Disney princess - every detail from the airy voice and flowing hand movements. Patrick Dempsey was an even more charming bachelor here than on Gray's Anatomy. However, most amusing was James Marsden as Prince Edward. I especially like how Disney spoofed itself - in all the movies they have ever produced, the prince is rarely seen as coincided, yet here is one that finally is, and he is the most amusing of them all.

Like any Disney film, throughout the duration of the movie there are tons of references to previous movies. Everything from the bus driver's Mickey Mouse ears to the previous princess cameos, it was fun going through and picking out everything Disney. (For the record, "Ariel" is Robert's assistant Sam, "Belle" is the woman on the soap opera Prince Edward is watching and "Pocahontas" is the woman in Robert's apartment building with the five kids.) Highly recommended for anybody who enjoys a classic princess film, and more importantly a new twist on one.

4 stars out of 5


 

Sunday, March 23, 2008

The Departed (2006)

Academy Award for Best Picture, 2007

When I was your age they would say we can become cops, or criminals. Today, what I'm saying to you is this: when you're facing a loaded gun, what's the difference?
- Frank Costello

Despite the fact the movie used the "f" word and its derivatives a whopping 237 times throughout the duration, The Departed is by far one of my all-time favorite movies. After a string of length, old movies I felt it was time to spice things up a bit with a couple selections off the Oscar winners list.

Set in Boston (although it was filmed in New York), that is just one of the many reasons why I love the movie so much, it follows the classic story of a good cop (Leonardo DiCaprio), and bad cop (Matt Damon). Mixed in is the ever-creepy Jack Nicholson as mob boss Frank Costello, who improvised many of his lines.

Extremely violent but with a lot of unsuspected twists and turns, The Departed proves time and time again to be a most entertaining movie. The traditional Celtic soundtrack acts a fun backdrop to the film, whether the mob is attacking or simply on the move. Reminds me in a few ways of The Boondock Saints, with the Irish/Boston accents, background music and panning cinematography, although none of the characters in Costello's mob are by any means good in nature.

5 stars out of 5

Wednesday, March 19, 2008

Schindler's List (1993)

American Film Institute's Top 100 Films: No. 6

Academy Award for Best Picture, 1993

Stern, if this factory ever produces a shell that can actually be fired, I'll be very unhappy. - Oskar Schindler

As a history fanatic, I have always enjoyed movies based on true events, and even more so ones that are for the majority historically accurate. This is the second time I've seen the movie, and although the subject matter is extremely dark (so much so director Stephen Spielberg had friend Robin Williams make comedy sketches to lighten the mood during filming) it is still a wonderful movie.

Both Liam Neeson and Ralph Fiennes potray their characters with utmost perfection. Neeson as the title role does an excellent job conveying to the viewers the transition of Schindler from a man looking to gain power and money to a man looking to save the lives of hundreds of prisoners. Likewise, Fiennes' Amon Goeth is nothing short of sinister. He truly brings to light the pure evil that encompassed many members of the Nazi party. Furthermore, the use of black and white film made the movie that much more effective - the sinister glares given by Fiennes and the compassionate glances administered by Neeson are seen in a new way with the absence of color.

It also seems the movie stays fairly close to the book in which it was based off of, with the exception of the liquidation of Krakow, Poland. Spielberg chose to expand this portion of the film from a small blurb in the book to a full 20-minute film segment, taking much of the scenes from real eye witness accounts. For instance, the man shown moving luggage off the street was based on a real person, who only survived an encounter with the Gestapo because of the quick thinking on his feet.

Overall, a wonderful, moving yet depressing movie. Not one to watch often, but one to relish when I do.

4 stars out of 5

Back To Reality

After one of the most glorious weekends of my life, it's back to reality for me. Boston was everything I ever dreamed it could be... and more. Destiny reunited a few of Fredonia's finest, meaning our celebration was something more along the lines of a mini Fred Fest, always a grand time. In all its endless wonders, I think I can sum up the experience in just one chant "I wish I was a leprechaun! (ooh, ah!)" Props to Team Drunk, made up of O'Ports, O'Waz and O'Poms who after a rough start, kicked Beantown's butt. 

However, now that the excitement is over and my body is slowly recovering, it's back to work, and back to the project. On tap for this week are a few stimulating films. In light of the Easter weekend, Anne "Mom" Wasmund has volunteered her services in viewing with me, so hopefully we will have a guest review or two. 

Wednesday, March 12, 2008

So far.....

Just a couple of thoughts on the adventure so far. 

Getting a chance to catch on these old movies is proving to be a lot of fun. A few of them I wish I had seen sooner, a couple of them I won't bother ever watching again, but so far none of them I regret viewing. 

I'm nearly to the point where I'm sick of watching old films, so in the next few weeks I'll probably start filtering in some of the recent Oscar winners for good measure. In the meantime, I'll be signing off for awhile (at least from movie reviews). Celebrating the Luck o' the Irish and St. Patrick himself, I will be in Boston for the upcoming weekend enjoying a few pints of Guinness, a tour of Fenway Park and all the excitement that Porty, PomPoms and I can muster up, with guest appearances by a few other Fredonia friends.

Have a good weekend, my faithful readers! Return next week when we explore the wonders of Raging Bull, Schindler's List and a few other of AFI's top films.

City Lights (1931)

American Film Institute's Top 100 Films: No. 11

I like your car. Charlie Chaplin

My very first experience with Charlie Chaplin. While this isn't my favorite film from the project so far, it was one I enjoyed. After watching a selection of very serious, long movies, it was refreshing to watch something so light-hearted.

I think one of the reasons why I liked this movie so much is because it was generally just a goofy film. When he's getting all sloppy drunk with his buddy, falling down and waking up in his bed, it reminded me of college. I think the title should have been changed from City Lights to What Happens After A Kegger. My favorite part was when The Tramp had the hiccups, which sounded like chirping birds, thus attracting the pack of dogs.

I've never seen a "silent" film before - I say use silent in quotations because there was music in the background and muffled talking, a la' adult Peanuts characters, in the beginning. I enjoyed the way each scene was sort of its own little story that somehow tied into the overall theme. While watching I kept thinking to myself how much Chaplin resembled Adolf Hitler, only to discover afterward this was no coincidence: Hitler grew his own mustache after Chaplin, whom he hated and believed to be Jewish, because he thought it would make him more endearing to the general public. Cute movie, would watch again anytime I was looking for a smile.

3.5 stars out of 5

Sunday, March 9, 2008

The Wizard of Oz (1939)


American Film Institute's Top 100 Films: No. 10
Pay no attention to that man behind the curtain. - Wizard of Oz
Even though the movie will always have a special place in my heart (I was a flying monkey in my first school play in fourth grade) I will probably never really enjoy this movie. Although watching it now as an adult I like it more than I did, it still does not hold my attention for very long. Which is funny, considering the similarities it has between one of my favorite films, Alice in Wonderland. Observe...
  • Alice falls asleep and is transported to the magical Wonderland, Dorothy is knocked out and transported to the magical land of Oz.
  • Each little girl has a pet - while Toto goes with Dorothy, Alice's kitten is left behind.
  • Each girl sings one song in the movie - although Judy Garland's was without a doubt more well-done and more memorable.
  • At one point in the film, each girl has an angry, unattractive older woman after her - the Wicked Witch of the West or the Queen of Hearts
  • Each of these women have a small army she sends to do her bidding - the Witch's flying monkeys and the Queen's playing cards
  • Both have a feline friend/escort - Alice's Cheshire Cat and Dorothy's Cowardly Lion
  • Each movie features a number of inanimate objects and animals having human characteristics..... rabbits, playing cards, scarecrows, etc.
  • Drug references (the poppy's ((opium)) in Oz.... virtually everything in Alice's Wonderland)
  • The two girls even dress the same, with a white shirt and blue jumper
  • Each movie has a submissive male character who is supposedly in a position of power - The Wizard and the King of Hearts
  • The realization at the end of the movie everything was just a dream.
There are probably more similarities, but I'll leave that up to the reader to ponder. Overall, I had more fun looking up information about the movie than watching it. For instance, many people find L. Frank Baum's story to contain both political and social satire pertaining to the day. "The little girl from the midwest (typical American) meets a brainless scarecrow (farmers), a tin man with no heart (industry) and a cowardly lion (politicians) and a flashy but powerless wizard (technology). Although the little people keep telling her to follow the yellow brick road (gold standard), in the end it's her silver slippers (silver standard - the original book featured silver, not ruby slippers) that help her get back to the good ol' days." Overall, a much bigger fan of the Stephen Schwartz musical Wicked than the movie.

2.5 stars out of 5

Vertigo (1958)

American Film Institute's Top 100 Films: No. 9

That's the kind of greeting a girl likes! Not this "Hello-you-look-wonderful" stuff, just a good straight "Who do you know that's an authority on San Francisco's history?" - Midge Wood

Like many of Hitchcock's films, Vertigo was enjoyable, suspenseful and.... confusing. For me at least. In typical Hitchcock fashion, the film featured a case of mistaken identity. Regardless of the plot twists that left me questioning (I eventually did catch on) it was undoubtably one of his finer films.

It was nice to see Jimmy Stewart in a role other than George Bailey. After being subjected to It's A Wonderful Life over and over again when I was younger, I have had a great distain for the actor. Yet, watching him here in a completely different role - one nothing sort of an obsessive sexual predator - it was a great experience. His drawl still irks me, but his acting is quite good. One character I enjoyed, and was sad to see did not have a larger role, was Barbara Bel Geddes' Midge. She added the humor element to the film, although being a scary movie, much humor was not needed. I especially enjoyed the exchange between her and Scottie about the bra being designed by an aeronautical engineer - a reference to Howard Hughes, who had a bra specifically designed for one of his films to feature ..... well you know.


The camera angles, score and simple camera effects all enhanced the viewing greatly. Even now that the film is over, I have some unanswered questions - but that makes the film that much better. Definitely one I would re-watch. As always, it was fun looking for Hitch's cameo, although I missed it. For any future viewers, it's around 11 minutes into the movie. Great plot, great twists, good suspense.

3.5 stars out of 5

Lawrence of Arabia, 1962


American Film Institute's Top 100 Films: No. 7
Academy Award for Best Picture, 1962

The truth is, I'm an ordinary man. You might've told me that, Dryden. - T.E. Lawrence

So far, this theatrical journey of mine has been quite enjoyable. Lawrence of Arabia is another one of the films I discovered I admired, and wished I had seen it prior to now. First and foremost, the score to the film was outstanding. Up until now, the music of the top films on the AFI list has been decent, but nothing I would consider outstanding. Maurice Jarre's scores helped tell the journey of the young British officer in a most convincing manner. As Lawrence and his band of men traveled across the Arabian desert by camel and horse, and the sweeping fight sequences, each scene was accompanied by a wonderful composition. So much so that at times it felt like you were there.

There were a couple things about the movie that I found particularly interesting. First of all, the many of the actors resembled the actual people they were portraying. Although O'Toole is nearly a foot taller and far more "pretty" than the actual Lawrence (especially those long eyelashes!) he nevertheless looked similar to the real person. The same applies to many of the other characters. I also enjoyed how historically accurate the film is. While something things have been changed - for instance it was reporter Lowell Thomas, then a man in his 20s who spent a few weeks with Lawrence rather than Jackson Bentely, the middle-aged reporter who traveled with the soldier through the greater part of his campaign. It was also interesting that there no women with speaking roles in the film. After doing a little research there is question as to whether or not Lawrence himself was a homosexual, which would explain his lack of female companions. At any rate, the film was beautiful - stellar acting, camerawork, music and a story based on real events.

4.5 stars out of 5

Saturday, March 8, 2008

Gone With The Wind (1939)

American Film Institute's Top 100 Films: No. 6
Academy Award for Best Picture, 1940

I don't know nothing 'bout birthin' babies! - Prissy

Great balls of fire this movie is loooooong. Although it's always been one I've enjoyed, it certainly is one which one has to commit to. I have seen the screen version of Margaret Mitchell's epic Civil War novel a few times when I was younger, but never has an adult. 

After all these years, it has come to my attention the novel is not much unlike the typical senior high school of today. Minus the slaves and burning of Atlanta, the movie pretty much plays like a much extended version of Dawson's Creek. However, that doesn't made it necessarily unlikeable. Quite the opposite, it is pleasant movie to watch, especially now that I have the attention span and mindset to understand everything that's going on. 

The personalities of the characters are quite diverse, which makes for a fun movie. Scarlett O'Hara might be the most selfish character every played by a woman in the early days of films. I never realized until watching this movie as an adult just how much of a hussy she is.  However terrible a person Scarlett may be, she does grow to be a likable character. The scenes of her bossing everyone else around are humorous, and although not a nice person, she is a strong female character. Likewise, although Clark Gable's Rhett Butler is just as selfish, he does have an immense amount of charm, and he again does prove to have nobel attributes later in the film. For the life of me, I can't fathom what the attraction is to Ashley Wilkes - tall, lanky, and seemingly humorless, why he is such a desirable catch in Scarlett's eyes is beyond me. 

The cast of African Americans, including Hattie McDaniel who won an Oscar for best supporting actress, provided comic relief much of the time but not in a way that was degrading or hokey. A recommended watch, but make sure you have no other plans for the night.....or the next....

4 stars out of 5

Thursday, March 6, 2008

Singin' in the Rain (1952)


American Film Institute's Top 100 Films: No. 5

Well, I can't make love to a bush! - Lina Lamont

As a big fan of musicals, the charm and innocence of this movie quickly caught my attention. Again, looking beyond the kind of hokey humor that comes with an older movie, I thought the film was fantastic. Perhaps not my favorite musical, but it did contain all the classical elements that make song-and-dance movies so fun.

The supporting characters again made me laugh throughout the show, especially Donald O'Connor as Cosmo and Jean Hagen as Lina. Debbie Reynolds I was not especially impressed with. Although she was only 19 at the time of filming, she seemed kind of a bland character. Although she started out with a bit of spunk, by the end of the movie she lost her draw.

The dance sequences were great fun, with the exception of the Broadway one, which was confusing and a bit difficult to follow. Interestingly enough, the songs used in the production were selected prior to the story being composed, so writers had to find ways to fit in the songs. This might explain why the Broadway number is so long and all over the place. Yet above it all was Gene Kelly and O'Connor's dancing. In my opinion all men should tap dance. Ok, not all.... but many. I don't think they realize how exciting it is to watch or how good they look doing it. Kelly's routine to the title song and O'Connor's "Make 'Em Laugh" were fast-paced and fun. Any guy that is willing to tap around in purple pants gets my vote!

3.5 stars out of 5

Casablanca (1942)


American Film Institute's Top 100 Movies: No. 3
Academy Award for Best Picture, 1942

We musn't underestimate American blundering. I was with them when they blundered into Berlin in 1918. - Captain Renault 

Aside from the slight cheesiness that generally accompanies older films, easily one of the best movies I've ever seen. Ingrid Bergman (Illsa) and Humphrey Bogart (Rick) play off each other, in my opinion, wonderfully. It was refreshing to watch a romance that was so sensual instead of sexual, like today's industry standard.

On that note, it truly was the actors in the film who made it so enjoyable. Although their chemistry was good, Bogart's acting did not seem to be out of this world. He was rigid and emotionless and while that was his character, it still seemed rather uptight. The secondary characters are what I found to be the most amusing. Claude Rains, who played Captain Renault was by far the most entertaining. Throughout the movie his snide little remarks made me laugh, and his constant scheming and (attempted) womanizing. In a way he reminded me of George Costanza of Seinfeld fame.

Likewise, Dooley Wilson who played Sam was a fun character. During his piano playing scenes his expressions were amusing. The flamboyant pickpocket whom we see at the beginning and then briefly again in the middle of the film also made me laugh. However, Peter Lorre, Ugaret, was by far my favorite character to watch. Not that his acting was especially wonderful, but the fact that he resembled Yoda, with the round head and big eyes. I kept expecting him to tell Rick to let the force be with him or something of the like. In the end, a great movie with comedy, love, action and even Nazis.

5 stars out of 5

The Godfather (1972)


American Film Institute's Top 100 Movies: No. 2
Academy Award Winner for Best Picture, 1973

Leave the gun, take the cannoli. - Peter Clemenza

Despite the wild reviews.... probably not my favorite movie. Overall, an intriguing, stimulatin plot. Not only did the actors do a good job, it was fun to see them looking so young - or with so much hair.

What I didn't like: Too slow. I understand the importance explaining everything carefully, because the list of characters in the movie seems to go on forever. However, the beginning just didn't have enough kick to it so it was hard to get into. It was also confusing keeping everyone straight - so many Italian names, so little time!

What I did like: As mentioned above, the actors. Marlon Brando was outstanding, I loved his muttering, bulldog-esque appearance. The scene where he's playing with the little boy in the orange patch was especially cute, seeing a mob boss acting so relaxed; I was intrigued to learn it was ad-libbed. Al Pacino gave a good performance and was convincing in his role, and James Caan as the older, protective brother was also well done. The use of oranges to symbolize death was also an interesting take, but after reading about it, it seems the oranges were initially only included in the scenes to add more color.

Also, for a movie about the Italian mob, there was a surprisingly low body count - 18 including the horse. Overall, a good movie, but I find the pop culture references to the film more entertaining.

3.5 stars out of 5


Tuesday, March 4, 2008

Citizen Kane (1941)

American Film Institute's No. 1 Movie of All Time

I always gagged on the silver spoon. Charles Foster Kane

It's easy to see why the American Film Institute chose this movie as number one on its list. The movie opens with the infamous "Rosebud" as Charles Foster Kane (Orson Welles) dies. The remainder of the movie newspaper reporters interview friends, enemies and associates of Kane to find out exactly what he meant, and the story is told in a series of flashbacks, eventually ending the same way it began with a panoramic shot of Kane's mansion.

A young Kane is taken from his parents home to go live with the wealthy Mr. Thatcher for a chance at a better life. After being thrown out of multiple colleges and coming into his extensive inheritance, Kane decides to take over the New York Inquirer, pushing the publication to eventually practice yellow journalism. While like many at first his intentions seemed solid, presenting to his readers a declaration of things he intends to do differently with his paper, his eventual desire for power overcomes him. His first marriage to the President's niece crumbles after his love affair with a young starlet, whom he marries and eventually leaves him.

Kane himself is based loosely off William Randolph Hearst, although later in life Welles claims the character was portrayed from Howard Hughes. At any rate, Hearst's fortunes and career in the publishing industry are indeed mimicked in the film. Having visited the Hearst Castle in California in 2001, I was amused that Kane also lived in a castle, not something seen ordinarily in the United States. Interestingly enough, Hearst himself had a few "Rosebuds" in his life - it has been documented that his mother, Phoebe Hearst, was nicknamed Rosebud by one of Hearst's close friends, who ironically was extremely close to the woman, almost as much as if not more than her own son, tying into the bittersweet reference of Rosebud in the film. Another reference by essayist Gore Vidal says Rosebud was a nickname used for mistress Marion Davies, or more specifically a particular part of her anatomy. :0

At the very end we realize Rosebud was the name of Kane's sled, as the toy goes up flames with other miscellaneous items of the millionaire's estate. My initial thought was all that..... over a SLED? However, it easy to see why Kane would have longed for his youth and more simple days. Although he may have died with money, he said throughout the movie he was a lonely man. Both his marriages failed him, and he fired his best friend, Jedediah Leland, who threw back in his face the declaration Kane had wrote, symbolizing not only his loss of friendship but respect.

Having not watched a lot of black and white films, this movie was especially entertaining. I enjoyed how throughout the production shadows were used to more or less mask the characters, which speaks to the actors use of body language to convey meaning. Welles was well deserving of the praise he earned (much later in his career) for this movie - although interestingly enough at the time of its release it was a box-office bust, making enough to cover movie costs but not enough to turn a profit. Overall, an enjoyable movie and the historical context, however real it may be, made it even more interesting. 

4.5 stars out of 5